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electrical components
whilst Tina Campt’s ‘The Visual Frequency of Black Life’ questions the sound of images and the frequency of black vernacular photography
John Lennon and Andy Warhol) are captured in unguarded and personal moments
all 26 pictures of Gilbert & George’s The Dirty Words Pictures (1977) were brought together at the Serpentine Gallery for the first time
The Maybe Architecture electrical componentsCornelia Parker and Tilda Swinton The Maybe, 1995 Perspex box containing embroidery and circuit board with labels Hand signed and numbered by both artists Edition of 50 2,500 (incl. VAT) In 1995 for seven days, eight hours a day, Tilda Swinton performed The Maybe an enigmatic and evocative work exploring a series of unanswerable questions from within the confines of a glass case. Glass display cases around the gallery contained objects relating to the
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